Dated Atavito Barnabé-Akayi

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Daté Atavito Barnabé-Akayi
BornSeptember 24, 1978
NationalityBeninese
Occupation(s)Teacher, writer

Daté Atavito Barnabé-Akayi (born September 24, 1978) is a Beninese teacher and writer, known for his plays and poetry.

Biography[edit]

Early Life and Education[edit]

He grew up in Kpalimé. He is his mother's only child, but has several siblings on his father's side.

He showed a strong interest in reading early on, even though he was not particularly passionate about his studies. However, thanks to his maternal uncle, aunt, and other relatives who took him under their wing, he completed his studies successfully and enrolled at the University of Abomey-Calavi in the Department of Modern Literature. After a brief career in journalism, where he handled the culture section of several newspapers, he became a high school and college teacher.

He is the author of plays and poetry.[1]

Literary Work[edit]

In 2010, he came to public attention with his collection of two plays, Amour en infraction and Les confessions du PR (Plumes Soleil, Cotonou, 2010).

While the first play openly discusses an unlikely love affair between a teacher and her student, the second portrays the figure of an African head of state, guilty of mismanagement and humiliating the First Lady, his wife, through his antics and recurrent infidelities. Overwhelmed and detested, he appears more pitiable than dangerous, seeking hypothetical redemption by confessing to a priest. The play addresses power, its intoxicating effects, and the inconsistencies it engenders.

The same year, another play, Quand Dieu a faim (Plumes Soleil, Cotonou, 2010), was published. Here, the text addresses the controversial theme of homosexuality.

Why is the sexual orientation of certain citizens subject to so much condemnation? If homosexuality is part of the diversity of practices and is a personal choice, the author concludes, people should be tolerant, especially when claiming to build a society that respects human rights

.[2]

In 2011, L’Affaire Bissi, a collection of five short stories, was published by Ruisseaux d'Afrique.[3] Social constraints and strange practices poisoning daily life are the backdrop for the texts in this collection, written simply but full of sensitivity and seriousness.[4] The author is prolific; he is the only Beninese writer to have published five works in recent years.

However, it is mainly in poetry that this writer's talent shines. Daté Atavito Barnabé-Akayi's poetry is strong, dense, and constructed like a continuous flow of words from an inexhaustible source. The flow of words seems unstoppable, carrying with it all the emotions and feelings of the poet. This is not about the other, but about oneself, even if the other – depicted as a child, a beloved woman, close or distant – is related to oneself in its various nuances. After the trilogy Noire comme la rosée, Tristesse ma maîtresse (Plumes Soleil, Cotonou, 2010), and Solitude mon S… (Plumes Soleil, Cotonou, 2012), Daté explores another aspect of his "self" through Tes lèvres où j’ai passé la nuit. Imonlè 158 (Plumes Soleil, Cotonou, 2014). The tone here is much more festive, reflecting a newfound inner balance provoked by the presence of the lover, this long-sought and sublimated Eve, whose proximity calls for an explosion of the senses.

The author delivers a powerful voice, playing endlessly with a phrasing without punctuation. In fact, without stating it, he invites the reader to infuse the text with their own rhythm, creating breaks, adding commas and periods, in short, making the reader a poet. For, however one approaches this text, unexpected meanings emerge, new ideas appear, offering the reader a rich approach to the work in its multiple facets. Let another poet, Sophie Heidi Kam, a Burkinabe author, express her appreciation:

the poetry, that of Daté reassures me that I am not alone, and that what I feel and write in poetry is not just the outpouring of an isolated soul in the grip of delirium. This is the charm, the beauty, and the tragic aspect of his poetry: In poetry, there is no room for deceit when you allow the heart to open up and speak.

.[5]

Theatre[edit]

  • Amour en infraction and Les confessions du PR, Plumes Soleil, Cotonou, 2010.
  • Quand Dieu a faim..., Plumes Soleil, Cotonou, 2010.
  • Les confessions du PR, followed by Amour en infraction and Quand Dieu a faim..., Plumes Soleil, Cotonou, 2010.

Poetry[edit]

  • Noire comme la rosée, Plumes Soleil, Cotonou, 2011.
  • Tristesse ma maîtresse, Plumes Soleil, Cotonou, 2011.
  • Solitude mon S, Plumes Soleil, Cotonou, 2012.
  • Tes lèvres où j’ai passé la nuit. Imonlè 158, Plumes Soleil, Cotonou, 2014.

Essays[edit]

  • Lire cinq poètes béninois, Plumes Soleil, Cotonou, 2011.
  • Entretiens avec des écrivains béninois au programme, Plumes Soleil, Cotonou, 2014.
  • Anthologie (coordinator)
  • Même l’amour saigne (Short story), Plumes Soleil, Cotonou, 2012.
  • Obama et nous (Collection), Plumes Soleil, Cotonou, 2013.
  • Anxiolytique (Poetry), Plumes Soleil, Cotonou, 2013.
  • French textbooks (Collective, under the direction of Inspector Apollinaire Agbazahou, Plumes Soleil, Cotonou)
  • Tests de Lecture, 2007 (revised and expanded), 2012.
  • Cahier de Lecture, 2009.
  • Communication Écrite, 2011.
  • Lecture-Écriture. Préparation au bac, 2012.
  • Tests de Lecture, Clé de correction, Plumes Soleil/Laha, Cotonou, 2013.
  • L’affaire Bissi (Short stories), Ruisseaux d'Afrique, Cotonou, 2011.

References[edit]

  1. ^ "Daté Atavito Barnabé-Akayi". Babelio (in French). Retrieved 2024-03-07.
  2. ^ "Entretien avec Daté Atavito Barnabé-Akayi". BENINSCOPIE (in French). Retrieved October 4, 2014.
  3. ^ "Afrilivres/Ruisseaux d'Afrique/Editions". Ruisseaux d'Afrique (in French). August 2011.
  4. ^ "Chronique sur africultures".
  5. ^ "Sophie Heidi Kam, première femme dramaturge du Faso". Carnets critiques d'Alceny Barry (in French). July 17, 2014. Retrieved October 7, 2014.

External links[edit]